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THE BOSTON HERALD Features SLEEPYTIME GORILLA MUSEUM

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"We live in an exciting time, but the creativity hasn’t caught up with the record industry. So why not cut it out all together and build your audience on the grassroots level? In that way, like spies, we destroy rock from within.” - Sleepytime Gorilla Museum's Matthias Bossi

DATE: 04/17/2009
URL: http://www.bostonherald.com/entertainment/music/general/view.bg?articleid=1166094

It’s not going to be easy, but rock music must be destroyed. Thank goodness Oakland, California's Sleepytime Gorilla Museum, straight out of Oakland, Calif., is up to the task.

“What was the last time you heard a good rock song,” asked drummer Matthias Bossi, on the bus en route to the first stop of the Sleepytime tour. “I can’t think of a single modern band I love. We live in an exciting time, but the creativity hasn’t caught up with the record industry. So why not cut it out all together and build your audience on the grassroots level? In that way, like spies, we destroy rock from within.”

Sleepytime’s marketing methodology is just one application of its rock-against-rock ethic. Listening to its brooding, operatic doom-rock and berserker prog-metal freak-outs are the sonic equivalent of a mushroom trip gone awry. Conventional structure is forsaken. Bassist Dan Rathbun enhances the peculiarity with do-it-yourself instruments such as his percussion guitar and electric pancreas.

“Music is how we converse with the world by internalizing our wildly varying cultural tastes and spitting them out,” Bossi said. “That makes us sound like we’re some flip-the-radio-dial, genre-hoppy band, but it isn’t like that. I guess we’ve gotten past our influences and created a unique sound.”

Legend has it that Sleepytime played its debut concert in an abandoned department store to an audience of one - a banana slug in a jar. A sign on the door read, “No Humans Allowed.”

“Because (slugs) are so coarse and slimy, words and notes just stick to them like flypaper,” Bossi half-joked. “They’re the most absorbent beings on Earth and thereby perhaps the biggest appreciators of avant-garde music.”

After that first show,humans were allowed in. And it’s a good thing, because Sleeptime plays Harpers Ferry on Sunday and it’s a show not to be missed.

Bossi, who grew up on Cape Cod and graduated from New England Conservatory in 2001, moved to Oakland to join the band. Well, the story is a bit more complicated than that. His introduction to Sleepytime was out on tour. At the time Bossi played drums for another band, Skeleton Key, but he fell hard for Sleepytime violinist - and future wife - Carla Kihlstedt.

The rest is experimental rock history.




Last modified on Tuesday, 20 July 2010 16:36
Sleepytime Gorilla Museum

Sleepytime Gorilla Museum

COLLECTION
At one time, for 15 minutes, Sleepytime Gorilla Museum was the world’s only traveling museum of used sports equipment. We had a punching bag, a “speedbag”, mounted over the rear exit door of our bus. Following a late gig in New York, a group of drunken businessmen was asking about our bus and the SGM name on the front. We explained to them that we were traveling with “celebrity” sporting equipment, for instance a speedbag formerly belonging to Sugar Ray Leonard, a famous American boxer.

"All the way from California with this?”, they asked, incredulous.

“Yes, we charge only 25 cents.” They each paid and took turns on the
bag. We also had a baseball bat (as a weapon, really) and a soccer
ball (a weapon against ourselves), each purportedly having belonged to
a semi-famous American athlete.

“Wow, this is all you have?”

“Yes, well, that’s why we charge admission…to raise money. We’re
building our collection.”

“OK. Cool. Good luck.” And they stumbled down the ramp, their 25 cents well spent.

MILK
That was years ago. Frank Grau, then our drummer, knew something about sports history. It would be ill-advised for us to try this in Europe, both because of our ignorance and lack of sports gear. We now have, instead, babies, and can perhaps claim that we are a sightseeing organization for toddlers: “See Europe! Drink some milk!”

GIFT
It is on behalf of these babies, and others like them, that we present our latest barrage of anti-modernist epics. The cyber-ubiquity of the world is an uglification, an escalating decline in the texture of daily life. As with each new technological breakthrough (the automobile, for instance, also derided in our latest material), it is presented as a gift of undeniable utility, mass-marketed, and soon becomes indispensable to participation in the “modern world”, a gift thoughtlessly handed down to our children.

HERMIT
If we (especially in the San Francisco bay area) share guilt with the largely American purveyors of these marvels, we can also claim an uneasy kinship with with American hermit, murderer, and math genius
Ted Kaczynski, better known as the Unabomber, whose painstaking and
insightful analysis of the interwoven diseases of civilization and technology was deliberately ignored by the American media. But Ted
guessed correctly that if he killed some people, the media-machine
would inadvertently spread his critique. He turned the weapons of his
enemies against themselves, and his rejection of the “gift” is gaining ground among the young, even as it devours them.

OPPOSITION
In the spirit of Ted, and as a 20th anniversary of our own Rock Against Rock, we launch our 2010 European Tour (in which we are honored to visit the Rock In Opposition Festival, a movement which has inspired us perhaps more than any other) with a massive internet campaign denouncing the internet and its spread of corporate “newspeak”. There will be podcasts, blogs, and twitters denouncing “blogs”, “podcasts”, and “twitters”. We, as always, are our own worst and best enemies. We write songs. BURN.

Unreservedly,
The Sleepytime Gorilla Museum of Used Sports Equipment
Michael Iago Mellender
Carla Kihlstedt
Matthias Bossi
Dan Rathbun
Nils Frykdahl

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