Friday, 02 July 1909 00:00

SPUTNIK MUSIC Reviews SIGH - 'Imaginary Sonicscape'

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"[A] psychedelic-metal masterpiece."

DATE: 1/17/2009
RATING: 5/5
URL: http://www.sputnikmusic.com/review_28777

You know that feeling: a transcendent experience, almost as if you were in a dream. You have difficulty distinguishing the fake from the fictional. You begin to question all your senses; is your vision true, or is it just an illusion? Are the sounds of your life concrete, or fictional? You begin to question everything you’ve ever known, and many times, an important lesson may be learned. Many of us have had these experiences, whether they be your average out-of-body experience, a near death experience, or just getting really, really high. It is my belief that this is the kind of experience that the members of Sigh were attempting to achieve when writing their psychedelic-metal masterpiece, Imaginary Sonicscape. What lays within this album ranges from mid-pace thrash-riffs to slow, brooding electronic atmospheres that put most doom bands to shame. Do not be taken unawares, however; Sigh have in absolutely no way ripped off Pink Floyd. Within Imaginary Sonicscape, the band has crafted 10 songs of a mostly indefinable genre; at this point, the band truly transcends any genre classification. Trying to compare this album to any other metal album is equivalent to attempting to compare a platypus to any other mammal; it’s definitely similar, but when you try to discern any real common ground it to its kin, you are more often than not left floundered. Listening to this album and expecting something normal, or something similar to anything else you’ve heard, will set you up for a disappointment that will ruin not only the album, but possibly all of the band ’s material for you. With this album, the band has achieved what most bands could barely ever dream of; they have made an album that sets them apart from everyone else; with Imaginary Sonicscape, Sigh can only be descr

Last modified on Tuesday, 20 July 2010 16:22
Sigh

Sigh

Sigh is regarded by many as Japan’s leading extreme metal export, having released numerous highly esteemed recordings throughout their twenty year existence.

Sigh shocked fans when it was announced that the band had been signed to the United States progressive label, The End Records, which has housed renowned acts AgallochDissection,Green CarnationUnexpect and Voivod, just to name a few. Fans were also blown away when the announcement that Hangman’s Hymn would be released on The End Records by the end of 2006 (But was delayed many times until a June 2007 date was secured). 

Hangman’s Hymn is a ten track assault of orchestrated violence, deriving heavy influence from German classical Romantic composers such as Anton BrucknerGustav Mahler, and Richard Wagner. It is divided into three acts, and marks the return of Mirai’s harsh vocals after their absence on Gallows Gallery. The album cleverly introduces reoccurring themes which, as the album progresses, build up into one of the most climactic finales ever heard in Sigh history. Sigh went into the studio in August 2006 to record the album. It was released on June 12 on The End Records and May 23 on Soundholic Records in Japan (With bonus tracks).

2007 began as strong as ever for the band, who played their first show in over five years on March 17th at Shin-Okubo Hotspot in Tokyo. Dr. Mikannibal joined the band on stage for the first time on the alto sax and backing vocals.

Later it was announced that she would become the next official member of the band. 

Nearly a month later, on April 8th, the band played at Norway’s Inferno Festival. The band’s performance at Inferno was eagerly anticipated and the band exceeded expectations with a set list that covered a lot of the band’s early history. 

A United States summer tour scheduled for June and July was abruptly cancelled due to financial issues on behalf of the End Records. The band was still scheduled to play their first ever two shows with Mayhem, however these two shows were cancelled when Hellhammer received an injury that prevented him from playing. 

In November of 2007, The End Records reissued a remastered Gallows Gallery complete with bonus tracks and outtakes. 

Sigh kicked off 2008 recording seven Venom covers in the studio with Dr. Mikannibal on lead vocals; an excercise likened to Metallica’s initiation of Jason Newsted on the Garage Days Re-Visted EP. The final product, “A Tribute To Venom,” was released on September 2nd through The End Records on black, red, and peppermint vinyl in limited quantities. 

The band followed this release up with their first headlining North American tour spanning fourteen cities with Unexpect from September 6th to September 22nd. Zimmer’s Hole was originally supposed to join the tour as well, though immigration issues held them back. Yasuyuki Suzuki, once again, filled the bass position for the tour.

Sigh is featured in Sam Dunn’s 2008 documentary “Global Metal.” 

At this point in time, Sigh appears in definitive shape. Currently preparing to record their eighth full-length album, entitled “Scenes from Hell / Tempore Belli / Vanitas” which will feature session brass and string section work. But has now been officially changed to simply “Scenes From Hell”. For eighteen years Sigh has represented Japan as one of their leading metal bands to emerge worldwide; gaining success and acclaim. They have opened the door for many other bands to follow, further expanding the quality of the far eastern scene. Sigh is a band who is not afraid to frequently experiment with change, traveling into a realm never before attempted. They are a band who deserve every piece of recognition that they earn, and after their history of releases… they have earned the attention of countless metal fans worldwide.

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