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EXCLUSIVE IN-STUDIO REPORT FROM SIGH’S MIRAI KAWASHIMA, PART I: “THIS IS HELL! THIS IS WAR! THIS IS DEATH!”



DATE: 01/26/2009
URL: http://www.metalsucks.net/2009/01/26/exclusive-in-studio-report-from-sighs-mirai-kawashima-part-i-this-is-hell-this-is-war-this-is-death/

When Sigh mainman Mirai Kawashima offered to do a series of blogs from the studio where the band is recording their new album, Scenes from Hell, it was an opportunity too cool for us to pass up. Below find Mirai’s first entry; more will follow in coming days and weeks. Enjoy!

OK, before we start the actual studio report, we’d like to begin this blog by talking a bit about our 8th album, Scenes from Hell.

Yes, now it’s simply entitled Scenes from Hell, instead of Scenes from Hell/Tempore Belli/Vanitas. There are several reasons that we cut the title short, but the biggest one is that the length was pretty much annoying! There are going to be eight tracks on the album, with titles such as “The Sould Grave,” “The Red Funeral,” and “L’art de Mourir.” The musical direction is not that far from that off from Hangman’s Hymn, but the songs are longer, more sinister and a bit more varied, and they all are about hell, war and death! This will be the perfect score to old war movies or Godzilla (The first one, of course!).

The biggest difference between this album and the previous ones is that we’re using the real orchestral instruments such as a string quartet, trumpet, trombone, tuba, flute, oboe, clarinet and so on. The score is very huge  - the one for strings exceeds 100 pages! Definitely the orchestration sounds extremely vivid and powerful this time, and I can safely assure that this will be by far the most grandoise album by Sigh!

Also this is going to be the first original album that features Dr. Mikannibal. She’s playing the alto, tenor and batirone saxophones along with taking care of some of the vocals.

The next report will be about her vocal recordings. She always gets naked when she records the vocals claiming that she feels much more energy like that…

-MK

While you picture Dr. Mikannibal naked in the studio, know that Scenes from Hell will be out later this year on The End Records.

Last modified on Tuesday, 20 July 2010 16:17
Sigh

Sigh

Sigh is regarded by many as Japan’s leading extreme metal export, having released numerous highly esteemed recordings throughout their twenty year existence.

Sigh shocked fans when it was announced that the band had been signed to the United States progressive label, The End Records, which has housed renowned acts AgallochDissection,Green CarnationUnexpect and Voivod, just to name a few. Fans were also blown away when the announcement that Hangman’s Hymn would be released on The End Records by the end of 2006 (But was delayed many times until a June 2007 date was secured). 

Hangman’s Hymn is a ten track assault of orchestrated violence, deriving heavy influence from German classical Romantic composers such as Anton BrucknerGustav Mahler, and Richard Wagner. It is divided into three acts, and marks the return of Mirai’s harsh vocals after their absence on Gallows Gallery. The album cleverly introduces reoccurring themes which, as the album progresses, build up into one of the most climactic finales ever heard in Sigh history. Sigh went into the studio in August 2006 to record the album. It was released on June 12 on The End Records and May 23 on Soundholic Records in Japan (With bonus tracks).

2007 began as strong as ever for the band, who played their first show in over five years on March 17th at Shin-Okubo Hotspot in Tokyo. Dr. Mikannibal joined the band on stage for the first time on the alto sax and backing vocals.

Later it was announced that she would become the next official member of the band. 

Nearly a month later, on April 8th, the band played at Norway’s Inferno Festival. The band’s performance at Inferno was eagerly anticipated and the band exceeded expectations with a set list that covered a lot of the band’s early history. 

A United States summer tour scheduled for June and July was abruptly cancelled due to financial issues on behalf of the End Records. The band was still scheduled to play their first ever two shows with Mayhem, however these two shows were cancelled when Hellhammer received an injury that prevented him from playing. 

In November of 2007, The End Records reissued a remastered Gallows Gallery complete with bonus tracks and outtakes. 

Sigh kicked off 2008 recording seven Venom covers in the studio with Dr. Mikannibal on lead vocals; an excercise likened to Metallica’s initiation of Jason Newsted on the Garage Days Re-Visted EP. The final product, “A Tribute To Venom,” was released on September 2nd through The End Records on black, red, and peppermint vinyl in limited quantities. 

The band followed this release up with their first headlining North American tour spanning fourteen cities with Unexpect from September 6th to September 22nd. Zimmer’s Hole was originally supposed to join the tour as well, though immigration issues held them back. Yasuyuki Suzuki, once again, filled the bass position for the tour.

Sigh is featured in Sam Dunn’s 2008 documentary “Global Metal.” 

At this point in time, Sigh appears in definitive shape. Currently preparing to record their eighth full-length album, entitled “Scenes from Hell / Tempore Belli / Vanitas” which will feature session brass and string section work. But has now been officially changed to simply “Scenes From Hell”. For eighteen years Sigh has represented Japan as one of their leading metal bands to emerge worldwide; gaining success and acclaim. They have opened the door for many other bands to follow, further expanding the quality of the far eastern scene. Sigh is a band who is not afraid to frequently experiment with change, traveling into a realm never before attempted. They are a band who deserve every piece of recognition that they earn, and after their history of releases… they have earned the attention of countless metal fans worldwide.

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