Friday, 02 July 1909 00:00

CRUSTCAKE Reviews SLEEPYTIME GORILLA MUSEUM - Live at Red 7 (Austin,TX)

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"At times both frightening and mesmerizing, Sleepytime Gorilla Museum are proof positive that innovation and experimentation is still occurring [...]"

DATE: 05/05/2009
RATING: NA
URL: http://www.crustcake.com/2009/05/live-review-sleepytime-gorilla-museum.html

Sleepytime Gorilla Museum opened the discussion the way any other band of post-apocalyptic carnival barkers would: with a nod and a wink, followed by a brutal kick to the teeth.

Like scavengers picking through the refuse and remnants of hundreds of years of popular culture (their costumes and makeup made them look equal parts Peter Pan’s Lost Boys and zombified Victorian aristocrats) SGM present an aural and visual spectacle rarely seen outside avant-garde performance-art troupes.

Come to think of it, "performance art" may fit them better than any clumsy music critic term. I mean, what the hell is Art Metal, anyway? Would calling it Avant Metal make any difference?

Regardless, the Oakland quintet has gathered a devoted, cult-like following in their 10-year existence. With only three true long-players released under the Sleepytime banner, each band member fills the rest of his or her spare time with a host of side projects and associated acts. By combining elements of heavy metal, Absurdist Theater, found objects, Dadaism and chamber rock, audiences are split between dumb-founded gawpers and immersive enthusiasts who head-bang with neck-breaking intensity.

Live, the group turns dense, dark, musically acrobatic tricks, cartwheeling with Meshuggah-like proficiency around poly-rhythmic, syncopated time signatures. Ethereal vocalist/violinist Carla Kihlstedt is the light to guitarist/curator Nils Frykdahl’s demented dark. Frykdahl is one of the few vocalists capable of giving the inimitable Mike Patton a run for his money, creating a thousand different voices and often jumping between many of them in a single song. (Appropriately, one of the few bands critics agree on comparing SGM to is Patton’s Mr. Bungle.) A true master, Frykdahl is Nick Cave, Ihsahn and Chuck Jones rolled into one.

The group’s incredible homemade instruments -- including the Electric Pancreas, Pedal-Action Wiggler and the eight-foot-long Sledgehammer Dulcimer -- were showcased alongside traditional guitars, bass and drums on flawless renditions of “Angle of Repose” and “The Widening Eye.”

Bassist Dan Rathburn introduced an as-yet unreleased song he called “Old Gray Heron,” dedicating the tender (by Sleepytime standards) ballad to his late father.

The two-hour-plus show was capped by a Gothic-Americana/Gospel re-working of “A Hymn to the Morning Star,” followed by the legendary “Donkey-Headed Adversary of Humanity Opens the Discussion,” both from 2004’s Of Natural History.

Local openers Opposite Day whet nerd appetites with a dizzying display of Devo/Primus weirdness ramped to Berklee-levels of dexterity. In turn, Death Is Not A Joyride were far-reaching but underwhelming.

At times both frightening and mesmerizing, Sleepytime Gorilla Museum are proof positive that innovation and experimentation is still occurring, it’s just far, far outside the mainstream and deep, deep underground.




Last modified on Tuesday, 20 July 2010 16:30
Sleepytime Gorilla Museum

Sleepytime Gorilla Museum

COLLECTION
At one time, for 15 minutes, Sleepytime Gorilla Museum was the world’s only traveling museum of used sports equipment. We had a punching bag, a “speedbag”, mounted over the rear exit door of our bus. Following a late gig in New York, a group of drunken businessmen was asking about our bus and the SGM name on the front. We explained to them that we were traveling with “celebrity” sporting equipment, for instance a speedbag formerly belonging to Sugar Ray Leonard, a famous American boxer.

"All the way from California with this?”, they asked, incredulous.

“Yes, we charge only 25 cents.” They each paid and took turns on the
bag. We also had a baseball bat (as a weapon, really) and a soccer
ball (a weapon against ourselves), each purportedly having belonged to
a semi-famous American athlete.

“Wow, this is all you have?”

“Yes, well, that’s why we charge admission…to raise money. We’re
building our collection.”

“OK. Cool. Good luck.” And they stumbled down the ramp, their 25 cents well spent.

MILK
That was years ago. Frank Grau, then our drummer, knew something about sports history. It would be ill-advised for us to try this in Europe, both because of our ignorance and lack of sports gear. We now have, instead, babies, and can perhaps claim that we are a sightseeing organization for toddlers: “See Europe! Drink some milk!”

GIFT
It is on behalf of these babies, and others like them, that we present our latest barrage of anti-modernist epics. The cyber-ubiquity of the world is an uglification, an escalating decline in the texture of daily life. As with each new technological breakthrough (the automobile, for instance, also derided in our latest material), it is presented as a gift of undeniable utility, mass-marketed, and soon becomes indispensable to participation in the “modern world”, a gift thoughtlessly handed down to our children.

HERMIT
If we (especially in the San Francisco bay area) share guilt with the largely American purveyors of these marvels, we can also claim an uneasy kinship with with American hermit, murderer, and math genius
Ted Kaczynski, better known as the Unabomber, whose painstaking and
insightful analysis of the interwoven diseases of civilization and technology was deliberately ignored by the American media. But Ted
guessed correctly that if he killed some people, the media-machine
would inadvertently spread his critique. He turned the weapons of his
enemies against themselves, and his rejection of the “gift” is gaining ground among the young, even as it devours them.

OPPOSITION
In the spirit of Ted, and as a 20th anniversary of our own Rock Against Rock, we launch our 2010 European Tour (in which we are honored to visit the Rock In Opposition Festival, a movement which has inspired us perhaps more than any other) with a massive internet campaign denouncing the internet and its spread of corporate “newspeak”. There will be podcasts, blogs, and twitters denouncing “blogs”, “podcasts”, and “twitters”. We, as always, are our own worst and best enemies. We write songs. BURN.

Unreservedly,
The Sleepytime Gorilla Museum of Used Sports Equipment
Michael Iago Mellender
Carla Kihlstedt
Matthias Bossi
Dan Rathbun
Nils Frykdahl

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