DATE: 2/19/2009
RATING: n/a
URL: http://blogcritics.org/archives/2009/02/19/072542.php
Thanks to The End Records, Sigh’s masterful Imaginary Sonicscape can live on again as the outrageous helping of daring rock it is.
The record was initially released in 2001 and has become a bit of a legend of vintage keyboards, immense guitars, growling vocals, and heroic songwriting. With this 2009 remastered reissue, the original recording is accompanied by bonus tracks, extended versions of songs, and a previously unreleased cut that fits the bill nicely.
Sigh is considered to be a Japanese black metal band with symphonic leanings, although genre calisthenics are always vain and unreasonable. Describing the music of this Mirai Kawashima-led crew is tricky, to say the least, as they ride through elements of avant-garde, metal, classical, and even free-form jazz all within the span of an average song.
And Imaginary Sonicscape finds Mirai, Shinichi Ishikawa, and Satoshi Fujinami in an unspeakably innovative state of mind.
A twirling, razor-sharp, larger-than-life work of colourful songcraft and epic musicianship, Imaginary Sonicscape’s reissue should bring new fans to this vast work of art and will grant old ones more appreciation for the ingenious spirit occupying this record. As Mirai explains, this record is “something you should smoke to. The music does not belong to any country or any era. It's a 100% imaginary world and this is the most psychedelic and exotic Sigh album to date.”
The expedition to the make-believe planet begins with the guitar chomp of “Corpsecry – Angelfall.” A classic metal riff reaches out and sucks the listener in to a whirlpool of boundless possibilities. Marai’s vocals crank out like a general leading a march until Shinichi lays out a solo of clean sophistication and magnificence.
The roar of Mirai’s vocals on “Scarlet Dream” is invigorating. He plays call and response over Shinichi’s persuasive guitar, leading us further into their peculiar world. “Nietzschean Conspiracy” follows with lyrics written by Bård Eithun. Its smart tone and tweeting effects create uncanny ambiance over which Mirai snarls and growls.
Other tracks mix and match influences with ease, swapping tones in full flow in an almost brash craze. Check out the bait-and-switch of “A Sunset Song.” Bitches Brew-era Miles Davis would be proud.
Mirai’s work with a joyous collection of keyboards and synthesizers (including a Fender Rhodes, Hammond, minimoog, Yamaha acoustic piano, Hohner clavinet, and Yamaha string machine) is something to experience. He adds thick layering and mood to the shape-shifting “Dreamsphere (Return to the Chaos)” and paints intrepid, brash shades all over the epic five movements of “Slaughtergarden Suite.”
“Voices” was left off of the original version of Imaginary Sonicscape, but its appearance here is fitting. The vocal effects, performed on a Speak & Spell of all things, mesh with the ghostly atmosphere and jazz tempo to create a distressingly beautiful number. Sigh’s Imaginary Sonicscape is a great place to start with this remarkably talented outfit. With elements of jazz fusion, black metal, electronica, and even disco, this is one hell of a courageous piece of work. The reissue breathes fresh life and helps generate buzz for the band as they prepare to release a brand spanking new masterpiece in 2009.
With elements of jazz fusion, black metal, electronica, and even disco, this is one hell of a courageous piece of work.
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SighSigh is regarded by many as Japan’s leading extreme metal export, having released numerous highly esteemed recordings throughout their twenty year existence. Sigh shocked fans when it was announced that the band had been signed to the United States progressive label, The End Records, which has housed renowned acts Agalloch, Dissection,Green Carnation, Unexpect and Voivod, just to name a few. Fans were also blown away when the announcement that Hangman’s Hymn would be released on The End Records by the end of 2006 (But was delayed many times until a June 2007 date was secured). Latest from Sigh |
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